Beautiful and evocative sounds from South America in a creative fusion of world music, jazz, folk and classical music with cinematic moods. Instruments include classical guitar, piano, cello, voice, bandoneon, electric guitar and electric bass.
Arne Deforce: cello (1,3,5)
Gwenaël Micault: bandoneon (3,6)
Osman Martins: voice (184.108.40.206)
Alexander Busschaert: electric guitar (1,2,4)
Carlo Van Belleghem: electric bass (1,2,3,5)
All music composed, arranged and produced by Mark Van Overmeire* *except Titicaca arranged by Mark and Alexander Busschaert
Total playing time: 40'42"
Release date: November 15, 2003
Recorded by Tony De Block at Studio Midas, Lokeren*
*except Patagonia and piano recorded by Guido Maes at The Groove Studios, Schelle
Mixed by Mark Van Overmeire, Alexander Busschaert and Tony De Block
Mastered by Alan Ward at Electric City, Brussels
Photos and design by Mark Van Overmeire
Photos of Mark by Alexander Busschaert
Opgedragen aan mijn ouders Pierre en Rosmarie
© 2003 Mark Van Overmeire (BMI)
℗ Kramúsica Records
The Phantom Tollbooth - Marrie Asner
Oh, to be able to travel the world and then compose music about one's travels! This is the life of composer Mark Van Overmeire. When I read the program notes regarding his life in South America for several years and absorbing the atmosphere of this continent to enrich his musical knowledge, I decided to stop reading and listen to the six-track CD right away.
My idea of reflections in water was right, but I wouldn't have matched it with the high-altitude Lake Titicaca. This is what Overmeire tries to accomplish in this album. He chooses a location in South America and then describes it through music. If you've traveled there, fine; if not, the general flavor may appear to you. Except for the first piece, "Cotopaxi," which I found not as interesting as the rest of the selections, the other five pieces are innovative.
Mark Van Overmeire, with fellow musicians, Arne Deforce, Jozef Dumoulin, Osman Martins, Gwenaël Micault, Alexander Busschaert and Carlo Van Belleghem, bring a combination of jazz and klezmer influence to the music. "Patagonia" definitely has a South American mood with intricate keyboards and percussion. The mood is catchy, though I would have thought "Argentina," instead. "La Danza De Los Emigrantes" is an 11-minute composition in three sections ("La Integración," "La Seducción" and "La Celebración") that really makes one want to dance on a moonlight beach. There is a Peter Nero piano-influence at times. "A Bokher Un A Meydl" is klezmer music influenced (and a great cello part by Arne Deforce) that may remind the listener of a caravan that could just as easily be on another part of the world than the Middle East. Somewhat deceptive is the last selection, "Os Meninos Inocentes," which is about Bahia, a happy-go-lucky community, but instead, the music is almost child-like in flavor, or perhaps, the innocence of Bahia is to be discovered slowly?
Next, Mark will travel through Cambodia and Laos for inspiration for a new album. Bon voyage.
Sea of Tranquility - Steve Pettengill
Looking for something completely different? Try Mark Van Overmeire's Impresiones. Van Overmeire is a Belgian musician who spent four years in South America. His personal journey is communicated through the musical travelogue that is Impresiones. Van Overmeire's musical influences are not easy to detect, but if Peter Gabriel had recorded The Pat Metheny Group at Real World Studios, Impresiones might be the result. If I could only use one word to describe the outcome, I might use the term intoxicating. Van Overmeire and his band effortlessly combine jazz, world, folk and even classical music. In lesser hands, such disparate musical shifts would be a major distraction, but Impresiones treats these stylistic differences as if they somehow belong together.
Take the eleven minute multi movement "La Danza De Los Emigrantes" for example. A beautiful prelude of massed cellos gives way to an infectious and uplifting dance between Van Overmeire's classical guitar and Jozef Dumoulin's jazz tinged piano over a sympathetic rhythm section. During the second movement, the piece introduces some percussion programming which in turn heralds in an entirely new and romantic melody. This is beautiful stuff.
Album opener "Cotopaxi" likewise manages to be melodic, moody and pretty. A haunting cello and some wind effects made me think I was in for some New Age "relaxation" but thankfully, "Cotopaxi" is engaging and not New Age at all. Instead, the piece is sort of an orchestral jazz blend.
"A Bokher un a Meydl" is a gorgeous and enchanting dance track that marries a tango beat to klezmer music. In another world, or at the very least Argentina (the country that inspired the piece), the song could be a hit single. I am a sucker for indigenous folk music and "A Bokher un a Meydl" has me completely enchanted.
Mark Van Overmeire has really captured the spirit of South America on Impresiones in some original and exciting ways. Here's hoping his current trip to Asia will yield similar results for his next CD. The Indiana Jones of world music, perhaps? Excellent.
Audiophile Audition - John Henry
Mark Van Overmeire is a composer, classical guitarist and percussionist from Belgium, and his new CD was influenced by both Yo-Yo Ma and Pat Metheny. While this is closer to what one generally thinks of as world music than the Garbarek disc above, it still displays plenty of original thinking and sounds.
A four-year stay in South America was the main stimulus for the album concept. He experienced breathtaking impressions of this area and has translated them into a colorful and diverse chapters in a musical journey.
The choice of instruments gives a hint of the influences here - the bandoneon of his time in Argentina, for example. The cello has a strong voice in the proceedings, and Mark himself plays in addition to the guitar, the drums, percussion and synths.
These are not just folk music-derived selections - the compositions switch wildly from jazz to folk to classical to klezmer to soundtrack. An adventurous musical travelogue free of all the expected cliches.
United Global Artists
Belgium musical artist Mark Van Overmeire's "Impresiones" is a work of infinite compassion within the realms of the human experience. The atmospheric layering & ambiance of this work is strikingly unique in its vision & breadth. A sublime sonic blending of emotion & variance , cast in shades of dark & light with an audio-painter's stroke of inspiration & depth.
"Cotopaxi" is a fine example of cathartic pain that is beautified within the realms of Mark Van Overmeire's arrangements. The usage of bowed strings in a cello & violin timbre are coupled with E-bow like electric slide guitar flourishes, configure a touching rendition of song.
'Patagonia" lights the heavens a Jazz splash of Acoustic Piano & staggered time signatures. An energy permeates this tune, replete with chromatic chord sequences & free form fluidity. A magnetic piece that utilizes adroit performance chops, sends a listener into a journey far beyond the norms of genre parameters.
'La Danza De Los Emigrantes" is a charming & mesmerizing work complimented by nylon string acoustic guitar & piano counterpoint. A wonderful South American hint of texture exudes itself in this work. A warm production of eclectic nuance & Vox side lines that scant like a musical instrument; Along with the aura of beauty in the face of challenge, in the world that we live in & the suffering that is witnessed.
"Titicaca" is a majestic ethereal piece of space in time. It's ghostly haunting atmosphere is angelic & not to be feared. Within the core of this tune is the face of compassion. This quality being an exceptional trademark of the endearing majesty of art, that is Mark Van Overmeire.
"A Bokher Un A Meydl" is a tropical departure into the jungle shadows of world beat music via violin, accordion & synthesis of various textural varieties, that lends a subtle eastern-European flavor. An evolutionary hybrid of electronica that could awaken a Gypsy.
"Os Meninos Inocentes" is a plaintive mixture of Vox & Acoustic Guitar that meld into a place that the creator of impressions contemplates. A touch of Spanish-Portuguese influence is on the periphery of it's innate tale of perplexing intent.
Mark Van Overmeire's music at times takes on a transcendent quality that lends itself to other worlds as infinite as the grains of sand upon the beaches of time & tide.
As a meridian sunset sinks into the ocean of bliss, there one will always find the heart felt wonder of selfless love that Mark Van Overmeire exudes, like an invigorating breeze into the canopy of the moonlit night time sky.